Isolation, Identity, and Space: The Production and Performance of Music in Western Canada
Isolation, Identity, and Space: The Production and Performance of Music in Western Canada
The music created and produced across the prairies and in the urban centers of Western and Northern Canada represent an eclectic range of musical genres, a combination of traditional, Indigenous, folk, and immigrant sounds with popular contemporary music practices. Much of what happens musically across the prairies and in Canada’s northern cities, towns, and communities, is affected by experiences that transpire when one lives in an expansive geographical setting that is sparsely populated. For some musicians isolation from large urban centers and a bustling scene is detrimental, but for others it is this very isolation and expansive space that acts as a catalyst for their creativity and contextualizes their music production.
© Tracy Kolenchuck
Objectives:
To produce case studies of artists whose creativity, performance, and music production practices have been substantively affected by isolation and space while living in western or northern Canada
Artists:
Saskatchewan's blues artists Little Miss Higgins and Foy Taylor
Saskatchewan Indigenous hip-hop MC Eekwol
Yellowknife's Dene singer-songwriter Leela Gilday
Western hip-hop artist and self-proclaimed half-breed Kinnie Starr
Inuit throat-singer Tanya Tagaq
Nunavut's Lucie Idlout
Saskatchewan Hip-Hop Artists including Def3, DJ Quartz, Mils, InfoRed, Stinson, Merky Waters, Aries, Truth
Saskatchewan-born folk singer Gary Fjellgaard
Alberta's trans-identified country musician Rae Spoons
British Columbia's MotherMother